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DTSTART;TZID=Europe/Helsinki:20241017T170000
DTEND;TZID=Europe/Helsinki:20241017T180000
DTSTAMP:20250530T174438
CREATED:20241015T084512Z
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SUMMARY:Digital Coffee Talk - Developing democracy and cultivating citizens: using ancient drama in the classroom
DESCRIPTION:Digital Coffee Talk with Professor Arlene Holmes-Henderson\nDeveloping democracy and cultivating citizens: using ancient drama in the classroom\n🗓️ Thursday 17.10.2024  • 17:00 EEST (16:00 CET) • Zoom\n  \nIn this talk\, Professor Arlene Holmes-Henderson (Durham University) will outline the contribution of ancient Greek drama to the teaching of contemporary citizenship education. She will highlight opportunities to teach rights and responsibilities\, the treatment of newcomers\, power\, protest and performance. \nAncient plays (both tragedies and comedies) are full of rich themes which can be explored by teachers and students in innovative and creative ways. At a time when geopolitical events are affecting the daily lives of young people around the world\, Professor Holmes-Henderson encourages educators\, theatre practitioners and policy officials to use literature from the past as a focus for contemporary democratic education. Young people need to be able to critique information\, develop opinions and express themselves confidently. Greek drama\, argues Professor Holmes-Henderson\, provides an ideal disciplinary domain in which to cultivate these 21st century skills. \n  \nAbout the speaker\nArlene Holmes-Henderson is Professor of Classics Education and Public Policy at Durham University (UK) where she holds a British Academy Innovation Fellowship. After studying Classics at Oxford\, Harvard and Cambridge\, Arlene qualified as a schoolteacher and taught in high schools for more than a decade before returning to academia. \nArlene has conducted international comparative research in the USA as a Fulbright Scholar\, in Australia as a Churchill Fellow and in New Zealand as an Erskine Fellow. She is Vice-Chair of the Universities Policy Engagement Network with national responsibility for Arts and Humanities and is an expert advisor to international governments\, parliaments and assessment agencies. \nHer current project investigates the relationship between oracy\, rhetoric and critical skills. She was awarded an MBE for Services for Education by King Charles III in 2023 and was recently elected a member of the Academia Europaea. \nRegistration and link\nThe presentation will take place via ZOOM on Thursday 17 October 2024 at 17:00 EEST(16:00 CET)\, at the following link:\n🔗  DCT  Developing democracy and cultivating citizens: using ancient drama in the classroom \nPlease register by sending an e-mail with your name\, city/country\, organisation\, contact details at nmourouzi@thoc.org.cy. \nLanguage: English
URL:https://theatreinpalm.eu/event/digital-coffee-talk-developing-democracy-and-cultivating-citizens-using-ancient-drama-in-the-classroom/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/jpeg:https://theatreinpalm.eu/wp-content/uploads/2024/10/digital-coffee-talk-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20241009T170000
DTEND;TZID=Europe/Madrid:20241009T183000
DTSTAMP:20250530T174438
CREATED:20241004T094413Z
LAST-MODIFIED:20241004T094706Z
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SUMMARY:DIGITAL TALK - PERFORMING ART AND ECOSYSTEMIC COOPERATION
DESCRIPTION:Artistic practices function simultaneously on a symbolic and material level because they can engage spectators in direct and indirect ways. This dual operation raises critical questions about the role of art in shaping alternative imaginaries that can promote egalitarian\, cooperative\, and non-competitive values. Such reflections align with broader ecological concerns\, where understanding the interdependence of all living beings within their environments is essential for the preservation of ecosystems. \nDrawing on Lynn Margulis’ theory of endosymbiosis\, we recognize that the survival of species often depends on their ability to cooperate\, highlighting the profound relationality between all organisms. This relational perspective is echoed in Félix Guattari’s emphasis on the cognitive\, social\, and environmental dimensions of existence\, suggesting that the quality of these interconnections determines the sustainability of life. In the context of the current ecological crisis and the ongoing eco-social transition\, there is an urgent need to cultivate new cultural imaginaries. These imaginaries must expand the ethical framework to include the rights of all living and non-living entities\, allowing for a more holistic and inclusive approach to decision-making processes that will guide our collective future. \nTALK 1:\nNINE LAGOONS\nNine Lagoons is a multidisciplinary project centered on the figure of the gaucho leader Santos Guayama (San Juan\, Argentina\, 1830-1879?) and the Guanacache Lagoons\, which are now dry. The project seeks to revive the image of this popular figure from the western Argentine Cordillera as the leader of the first uprising for water rights in the country\, known as the “Lagunera Rebellion.” Additionally\, it emphasizes his mythological nature\, where he is referred to as “the man who died nine times.” Compositionally\, the number nine plays a significant role in organizing the materials. Four distinct projects have been developed so far around these themes: Nine Lagoons (dry theater\, 2019)\, Nine Lagoons: In the Footsteps (audiovisual documentary\, 2021)\, Nine Lagoons: Lagunera Diary (miscellaneous book\, 2022)\, and Nine Lagoons: Invocation (performative installation\, 2023). The project originated during the Ikarus creation residency at Odin Teatret (Denmark) in 2017\, developed further at the “No Tchon\, No Arte” formation and exchange residency (Guinea-Bissau\, 2018)\, and in San Juan\, Argentina. In addition to being featured at various festivals and presented in alternative contexts (rural schools\, prisons\, neighborhood associations\, etc.)\, the projects have received support from Argentina’s National Theater Institute. \nBenjamín Slavutzky\nAn experimental artist working across theater\, contemporary dance\, audiovisual media\, literature\, performance\, installation\, and sound art\, Benjamín Slavutzky seeks to break down barriers between disciplines. With a degree in Literature from UNSJ (Argentina)\, he has participated in performing arts research teams (DICDRA Project) and held both research and artistic creation fellowships. Currently based in Madrid\, he performs with the Wet Floor company\, collaborates with the contemporary dance company Inervo\, and directs the experimental theater company Mutable XT. He also organizes interdisciplinary free improvisation spaces and develops educational and creative projects across various regions of Spain. \nhttps://benjaminslavutzky.wixsite.com/benjaslav \nTALK 2:\nINTER RELATIO\nThematically\, the project focuses on the idea of the ecosystem and the forces of interdependence\, two basic concepts in ecofeminism theory that help us to understand the interdependence and holistic connections between living beings and nature and to re-direct our social organization towards sustainability. This initiative explores the concept of interdependence between living beings and nature\, emphasizes sustainable practices in the artistic process\, and encourages the pursuit of new ways to relate to the natural world. Thematically\, it revolves around the idea of the ecosystem and the forces of interdependence\, two basic concepts in ecofeminism theory that help us to understand the interdependence and holistic connections between living beings and nature and to re-direct our social organization towards sustainability. \nÁngeles Císcar\nÁngeles Císcar is a visual artist specializing in image dramaturgy. Her artistic practice spans the performing arts\, performance\, and video installation. Currently\, her readings\, studies\, and creative research focus on environmental awareness and equality. She is particularly interested in exploring life as a network of interdependence between living beings and nature\, using this approach as the central theme in her work. For her\, artistic practice is a form of philosophical reflection. Císcar believes that what we call “reality” is a precarious sum of fragments selected by the conditioning produced by the social and cultural context in which we are immersed. She sees awareness of this as fundamental for coexistence. Her pieces\, usually visually rich\, appeal to the sensory-emotional perception of the audience\, offering experiences in which ideas are conveyed through visual delight. Her work has been showcased at venues such as Mercat de les Flors\, Teatre Lliure\, the Cultural Center of Spain in Mexico\, the Digital Culture Center\, the Chopo University Museum in Mexico City\, Carme Teatro in Valencia\, and Üferstudios in Berlin\, among others. She has been an artist-in-residence at Hangar (Center for Visual Arts Production and Research in Barcelona)\, the National Center for the Arts in Mexico City\, and the Institute of Art Espronceda in Barcelona\, among others. As an educator\, she has led numerous workshops and taught regular courses at the University of the Cloister of Sor Juana and the National School of Fine Arts in Mexico City.\n+ about Ángeles \nTALK 3:\nBIOTIC SYMPHONY: CREATIVE INTERSPECIES ECOSYSTEMS\nIt is a container project whose artistic and pedagogical research framework is interspecies relaxation\, combining technology\, nature\, and art to create sound installations in which plants and fungi participate through Simbiower technology. This technology contributes to the sound design\, visual mapping of the piece\, and interactive performances that merge various natural and non-natural ecosystems in collaboration with each other. Part of their new research focuses on the relationship between urban and plant ecosystems\, seeking green transit areas in cities where they can build installations. These installations allow local and visiting artists to meet and generate creative collaborations in public spaces\, merging technology and nature within the urban context. \nCarlotta Storelli\nAn interdisciplinary artist of Swiss origin who operates in an international context\, including Central Europe\, Switzerland\, Morocco\, Scandinavia\, and the United States. She is the founder of the company Inervo\, serving as choreographer\, dancer\, actress\, and educator within the same company. She has directed and co-created festivals such as ImprpvisAntequera and Inervo Lab at NAVEL Art\, Studio 3\, among other spaces. She has also worked as a cultural manager and communication director for various artistic and cultural companies and associations\, including the contemporary dance company Eyas\, BIOMIMA\, and Bionic Festival at Teatros del Canal\, as well as the Viaturas company in Portugal\, among others. She is an artist and project manager at Molinolab: Art Science & Technology. Her research and artistic and pedagogical approaches are related to the development of new interdisciplinary artistic languages and the relationship between humans and the environment. She also collaborates with scientific research centers and various scientists and biologists to create hybrid work that merges art and science. \nhttps://inervoartlab.my.canva.site/ \n  \nJoin the Digital Talk here (Zoom) \nMeeting ID: 834 4298 2230\nPasscode: 356633
URL:https://theatreinpalm.eu/event/digital-talk-performing-art-and-ecosystemic-cooperation/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/svg+xml:https://theatreinpalm.eu/wp-content/uploads/2024/10/DIGITAL-TALK-TIP-Residency-1.svg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20240514T140000
DTEND;TZID=Europe/Stockholm:20240514T150000
DTSTAMP:20250530T174438
CREATED:20240502T093225Z
LAST-MODIFIED:20240502T093225Z
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SUMMARY:Discover the Ankoku Performance Language with Tana Maneva!
DESCRIPTION:Intercult is thrilled to invite you to an engaging Digital Coffee Talk\, within the Theatre in Palm project\, to listen to the performance artist Tana Maneva presenting her method “Ankoku Performance Language”\, how it liberates and unleash creativity and stage freedom. Tana will share her experience in working with her Laboratory-team at Teater Giljotin.\n\n\nEvent Details: Date: May 14\, 2024 Time: 2:00 PM – 3:00 PM (CET) Platform: Zoom Language: English \n\n\n\n\nAbout the artist: Tana Maneva is a performance artist and director based in Stockholm\, Sweden\, who has developed the “Ankoku Performance Language” a hybrid of Butoh\, theatre and dance. The method helps artists to develop\, to find their inner voice and create depth\, quality\, beauty and authenticity. She has coached singers at Folkoperan\, actors at Den Nationale Scene in Bergen and held workshops for the National Theatre Academies of Stockholm\, Gothenburg\, Malmö and Luleå during workshop days in Gothenburg. Tana has created and participated in about 20 productions at Teater Giljotin and toured with several productions around Europe.\n\n\n\nRegister and join via this link.\n\nLooking forward to see you there!
URL:https://theatreinpalm.eu/event/discover-the-ankoku-performance-language-with-tana-maneva/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/png:https://theatreinpalm.eu/wp-content/uploads/2024/05/Copy-of-Copy-of-TIP-Facebook-Post-852-x-480-px.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Brussels:20240326T183000
DTEND;TZID=Europe/Brussels:20240326T193000
DTSTAMP:20250530T174438
CREATED:20240319T104332Z
LAST-MODIFIED:20240320T133844Z
UID:10000072-1711477800-1711481400@theatreinpalm.eu
SUMMARY:Digital Coffee Talk 15 - Theatre and The Digital World
DESCRIPTION:In a world where technology is constantly transforming the way we communicate and interact with our environment\, theatre artists are challenged to seek innovative ways to integrate digital tools into their creative process. 🌐✨ \n🌟 The non-profit organization CUBE\, organizes in the framework of the European project Theatre in Palm \, a Digital Coffee Talk\, in order to inform all emerging artists about how they can combine art and the digital world.🎨 \nThe Digital Coffee Talk will host Ms Elena Stamatopoulou and emerging artists from the Theatre Department of the Aristotle University of Thessaloniki. \nInformation:\n🗓️ Date: 26 March\n🕡 Time: 18:30 CET.\n🎭 Meeting link: https://shorturl.at/ahmY9 \n 
URL:https://theatreinpalm.eu/event/digital-coffee-talk-theatre-and-the-digital-world/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/png:https://theatreinpalm.eu/wp-content/uploads/2024/03/Antίgrapo-tou-THEATRE-IN-PALM-TEMPLATE.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20221216T150000
DTEND;TZID=Europe/Helsinki:20221216T170000
DTSTAMP:20250530T174438
CREATED:20240213T092642Z
LAST-MODIFIED:20240213T092642Z
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SUMMARY:Digital Coffee Talk 5: Theatre in change
DESCRIPTION:What have changed in Bulgaria after the Change? How we manage /or not/ to reform our art organizations? What was /not/ done in the independent sector? How the young artist function in the system of state controlled theater institutions? What are the new initiatives? How the State\, Municipalities\, Public funds are helping? What must be done? What can be done? How the other countries are managing? Good practices. Legal support. Social programs helping including beginners in the art market… \nThe event will be hosted by OECON GROUP BG with the special participation of prof. Nedyalko Delchev – full-time assistant professor in Fine Arts – Theatre at AUBG\, Blagoevgrad\, Bulgaria. \nWhen: 16 December 2022 at 15.00 CET \nWhere: Online\, Microsoft Teams meeting \nTo whom: Theatre in Palm consortium \nJoin the TEAMS meeting here.
URL:https://theatreinpalm.eu/event/digital-coffee-talk-5-theatre-in-change/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/jpeg:https://theatreinpalm.eu/wp-content/uploads/2024/02/DCT5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20221125T130000
DTEND;TZID=Europe/Helsinki:20221125T143000
DTSTAMP:20250530T174438
CREATED:20221026T135411Z
LAST-MODIFIED:20240304T145430Z
UID:10000065-1669381200-1669386600@theatreinpalm.eu
SUMMARY:Digital Coffee Talk: Why me? Cultural therapy
DESCRIPTION:Why me? – cultural therapy\nHow we relate to art/theatre as people and also as organization and why we do what we do. What do you think? The things we do like festivals\, cultural events\, theatre plays\, performances\, cultural activism are the outcome of this mentality. \nWhen: 25 November 2022 at 13.00 CET \nTo whom: Theatre in Palm project group \nThis Digital Coffee Talk is organized by Homemade Culture (RO). \nJoin the Teams Meeting here.
URL:https://theatreinpalm.eu/event/digital-coffee-talk-why-me-cultural-therapy/
LOCATION:Online
CATEGORIES:Online event
ATTACH;FMTTYPE=image/jpeg:https://theatreinpalm.eu/wp-content/uploads/2024/03/e80bdd6a-img_9370-1024x719-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20221014T130000
DTEND;TZID=Europe/Helsinki:20221014T140000
DTSTAMP:20250530T174438
CREATED:20220924T134414Z
LAST-MODIFIED:20240304T144435Z
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SUMMARY:Digital Coffee Talk 2: Cooperation Staging. From Words to Visuals.
DESCRIPTION:Our Digital Coffee Talk started with a little interaction on what theatre meant to every participant and how your personal reflections could spark further ideas for developing this artistic niche locally and internationally. And here we want to highlight some of your wonderful quotes: \nTheatre for me is a man rolling a pomegranate across the floor to a woman.” – Dan Cotterall’s visual memory from “A Florentine Tragedy” where he played the leading role of Simone\, the cloth merchant. \n“Something that starts with an empty space\, goes back to an empty\, and in-between transition from empty to empty\, magic is happened. And the only people who believe it are the people who’ve seen it. It’s amasing! And the best magic is the one that is fleeting”. – Suresh Nampuri\, JA Theatre. \n“Theatre for me is an ephemeral art. It happens then and there and then..pff! It’s gone. It’s gone unless someone records it or writes about it. But I think that the magic and the beauty of it is that it happens with one idea that another person will believe in and will want to communicate that changes the lives of all the rest in the room. That is what I find so exciting about it.” – Marina Maleni\, Cyprus Theatre Organisation. \n“For me\, theatre is a unique experience at one time at one moment\, activating your imagination and emotions.” – Suzanne Hazen\, ZID Theatre. \n“Theatre is a room in a room. It’s safe embracing space which you enter from a bigger real space\, not that safe and not that embracing…A room in a room.” – Iwona Preis (Intercult Productions). \n“Theatre for me is a place in my heart. Shorty :)” – Mervi Rankila-Kallström (Turku University of Applied Sciences) \n“Theatre for me is an instant communication. And it absolutely doesn’t matter whether it is via cyber space or in a physical contact in a theatre where we sit all together\, for me it is this instant “here and now” exchange of energy between human beings. Maybe in the future between animals too 🙂 But now\, between human beings at least!” – Helen Ibra (European Theatre and Film Institute) \n“Theatre is a very fragile momentous thing that will never happen again but leaves emotional memories.” – Tania Kumeda\, JA Theatre \nThe key learning of the DCT2 was on specific types of shows designed for emerging artists\, and the main outcome\, shared by every participant\, is that there is a strong need and wish to mix different arts in one production and go beyond classical stages to further explore non-conventional venues. In other words\, to bring theatre in by taking it out – to parks\, art galleries\, city squares\, exhibition spaces etc. \nThere was a fruitful discussion on ways to develop a stronger connection between performers and the audience in non-conventional venues. In this respect\, more discussion and actual on-site work on exploring differences between theatrical and performative practices are needed to bring better cooperative productions to non-conventional and classical venues. \nThe topic of creating minimalistic and meaningful set design got a positive response in view of a growing need for emerging directors and theatre companies to take theatrical productions abroad (out of their country of origin) while remaining cost-effective. The set design elements and collaborations in this sector were very relevant to TIP’s traveling shows and Go & See mobilities. And\, no crowding of the stage with objects that are “mere objects” and which have no fundamental emotional connection to the play! An element of a set design is a character itself 😉 \nThe key intake is also to keep providing open access to international productions locally via open calls & audition processes. A harmonious blend of different art forms is also a key finding which every TiP member is keen to explore and bring to the stage. TiP Academy events are a key way to put artists in touch with industry professionals and provide learning opportunities so that artists can create a stage presence beyond their country of origin. \nThe journey is ongoing! \n  \nThe 2nd Digital Coffee Talk was hosted by Tania Kumeda and JA Theatre.
URL:https://theatreinpalm.eu/event/digital-coffee-talk-2-cooperation-staging-from-words-to-visuals/
LOCATION:Online
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ORGANIZER;CN="JA Theatre":MAILTO:info@jait.pt
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